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Howie, Tilly

Contact Details

Telephone

07765130090

Email

tillyhowie22@gmail.com

Website

https://www.tillyhowie.co.uk/

Social Media

Venue

Venue Address

36 Eemins Place, Bishopmill, Elgin

Venue Postcode

IV30 4PA

What3Words

///wacky.small.factor

Directions

From the A96 in Elgin, take the A941 towards Lossiemouth. Turning left onto Covesea Road. Take the second left onto Hebenton Road then the first right into Eemins Place. At the T junction turn right and park anywhere around the circle at the end of the road.

Parking

Park anywhere around the circle.

Venue Facilities

Commissions Accepted Credit Cards Accepted Demonstrations Groups Welcome Guide Dogs Welcome Open All Year By Appointment Parking Available Refreshments Available Toilet Available Wheelchair / Disabled Access Wheelchair Parking Available

Opening dates & times

Sat7 Sep
9:00 - 17:00
Sun8 Sep
9:00 - 17:00
Mon9 Sep
16:00 - 19:00
Tue10 Sep
16:00 - 19:00
Wed11 Sep
16:00 - 19:00
Thu12 Sep
Closed
Fri13 Sep
16:00 - 19:00
Sat14 Sep
9:00 - 17:00
Sun15 Sep
9:00 - 17:00

Artist statement

Forgotten histories and secrets are packed away just waiting to be uncovered. The possibility held within new beginnings, with the opening of boxes. These are the thoughts and ideas are that inform my work. The rhythms of folding and unfolding allow me the time and space to process thoughts and emotions.

Extended Bio

Forgotten histories and secrets are packed away just waiting to be uncovered. The possibility held within new beginnings, with the opening of boxes. These are the thoughts and ideas are that inform my work. The rhythms of folding and unfolding allow me the time and space to process thoughts and emotions. The unpredictability of the cyanotype process has captured my imagination and attention. I enjoy and embrace the lack of control that I have. In great contrast the precision and control of the folding process allows me the indulgence of structure and rigidity. The rhythm and actions of making within my process contrast with the silence and stillness of waiting for the cyanotypes to develop, recording the passage of time. I have a huge respect for makers of the past, and appreciation for skills that have gone unnoticed and have been forgotten. I am drawn to old domestic, familiar objects and materials that have been handmade and, often repaired. The use of simple processes and familiar materials helps to ensure my work is approachable and relatable.