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Chinnery, Sam – Furniture

Contact Details

Telephone

07831366603

Email

[email protected]

Website

https://samchinnery.co.uk

Social Media

Chinnery, Sam – Furniture

Venue

Address

Bruntlands Farm, Alves, Elgin

Postcode

IV30 8UZ

What3Words

///reflected.unafraid.animator

Directions

Turn off the A96 at Alves and follow the road towards Burghead, signposted Cemetery/Wards. After 2 miles come over a rise and see Bruntlands Farm on the right. From B9089 coast road, turn by the roseisle distillery, signposted Alves. We are the first place on the left.

Parking

Lots of parking space.

Venue Facilities

Opening dates & times

This studio is not open for the current event.

Artist statement

Furniture that is useful, that enhances people’s surroundings, that they find beautiful and has meaning for them. A small desk in cherry, single drawer hand built from oak and scented cedar, dovetails strong and elegant. A scorched stool in oak and ash, shared benches, conviviality, craft.

Exhibiting with Al Campbell, Jessie Ball and Paul Mowbray.

Extended Bio

I was fortunate to grow up in a stimulating and creative environment with my parent’s woodcarving and gilding workshop competing with the surrounding Scottish forests and hills for my attention. A strong appreciation of my natural surroundings and an awareness of man’s interaction with it through craft was formed early on.

A biology degree at Edinburgh led back to wood and craft with several years spent developing skills and exploring design in various workshops including a period working with Andrew Lawton, master cabinet maker in Derbyshire. In 2005 I moved back to Scotland, with a workshop in Dumfriesshire, then to Edinburgh in 2010 where I started working with The Balvenie Distillery to design and make wooden cases for their high-end releases alongside my own furniture. In 2014 I established my home and workshop at Bruntlands farm in Morayshire.

I aim to create furniture that fulfils its purpose in an honest and quiet way. I try to do this by selecting trees that have grown in the local landscape and allowing the methods of construction to guide the forms dictated by the function of the piece. Handcraft is important to me and although not fixed in tradition I respect the forms and techniques developed by generations of craftsmen responding to timber and allow this influence in my own contemporary design.

A stool in Oak, shaped to fit and balance, legs jointed through, blackened and scorched in fire.

A small desk in Cherry and Laburnum, single drawer handbuilt from Oak and Cedar of Lebanon, dovetails strong and elegant.

Ultimately, I want to make useful objects that enhance people’s surroundings, that they find beautiful and have meaning for them.

Gallery

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